Department of German and Dutch

Modern & Medieval Languages

Department of German and Dutch

GERMAN COURSE INFORMATION For full information about DUTCH courses and staff please CLICK HERE

Current Research Students

Name
(College)

Research Topic

Contact details

Elinor Beaven
(Lucy Cavendish)

The 'Künstlerpaar' in the Weimar Republic.

egb29@cam.ac.uk

Horatio Berra-Naranjo
(Wolfson)

Aesthetic representations of history and shattered spaces in W.G. Sebald and Anselm Kiefer.

hb291@cam.ac.uk

Kaleen Gallagher
(King's)

Female suicide in German literature and culture since 1945

kmg36@cam.ac.uk

Christopher Geissler
(Jesus)

German writing – journalism and fiction – on slavery and abolitionism from 1789 to 1888 and the entangled nature of German national identity, colonialism, and international humanitarianism. webpage

cmg46@cam.ac.uk

Max Haberich
(Clare Hall)

The correspondence between Arthur Schnitzler and Jakob Wassermann.

mmwh2@cam.ac.uk

Stephan Hilpert
(Sidney Sussex)

Politics in contemporary German-language auteur cinema.

sh634@cam.ac.uk

Tracey Hughes
(Darwin)

Excavating German History: Memory, Mourning, and Myth in the Films of Alexander Kluge, 1966-1986

This dissertation offers the first comprehensive analysis of Kluge's cinematic oeuvre, providing a critical re-assessment of one of the most important directors and intellectuals of post-war Germany. Although it concentrates on Kluge's films, the dissertation also takes account of his written work to highlight his specific strategies and agendas in re-appropriating the German past and re-constructing German memory.

tmh38@cam.ac.uk

Marie Kolkenbrock
(Trinity Hall)

Race and gender in Arthur Schnitzler's narrative writings.

mek32@cam.ac.uk

Charlotte Lee
(Gonville & Caius)

Self-consciousness in the works of the very late Goethe

cll38@cam.ac.uk

Morgan Macleod
(St John's)

Tense and aspect in the Germanic Languages. [German/Linguistics]

mdm33@cam.ac.uk

Martin Modlinger
(Robinson)

Approaching something that repels: Literature and the horrors of history.
Mapping the borderland between literature and history, especially the horrid fields of genocide and terror, the project examines how cultures deal with their traumatic past.

mm718@cam.ac.uk

Arturas Ratkus
(Trinity)

Dual adjective inflection in Germanic Languages. [German/Linguistics]

ar392cam.ac.uk

Annie Ring
(Newnham)

Working title: 'Complexes of security: figures of power and collaboration in post-Wende narrative fiction'. Annie's project is concerned with representations of the Stasi and their unofficial collaborators in post-reunification fiction and auto-fiction, especially in cases where these figures are used to compare East Germany with National Socialism. She is interested in theories of mimesis, shame, security and the archive.

aghr2@cam.ac.uk

Edward Saunders
(Darwin College)

Representations of Königsberg-Kaliningrad after 1945.

eijs2@cam.ac.uk

Katie Stone
(Clare)

Gendered interpretations of German wartime suffering and guilt in post-1945 literature.

ks480@cam.ac.uk

Erica Wickerson
(Churchill College)

The experience of time in selected works by Thomas Mann.

ehf20@cam.ac.uk

Daniel Wolpert
(Trinity Hall)

Trümmerfilme. Further details.

djw88@cam.ac.uk

 

 

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