A Queer Becoming: Female Adolescence in Contemporary Cinema |
An analysis of the emergence and implications of Internet Protocol Television (IPTV) |
Boxed In: Women and Containment in American Sitcoms of the 1950s |
British television comedy in the digital age: space, place and media in contemporary sitcom |
Cinema at the end of time: Temporality, gender and legitimacy in German Truemmerfilme of 1946-47 |
Cinematic Reality and the Aesthetics of Chinese Independent Cinema |
City Symphonies in Minor: Screening Three Postwar Berlin Childhoods with Walter Benjamin |
Claustrophobia: The Framing of Space in American Fiction and Film, 1919-1932 |
Co-auteurism in the Public and Private Spheres: The contributions of Alexander Kluge and Rainer Werner Fassbinder to Deutschland im Herbst |
Commedie al femminile: The Gendering of Space in Three Films by Antonio Pietrangeli |
Defining the Cinematic Kampong: Malay films and Malaysian society from 1957 to 1969 |
Displaying the Personal: The 'Postdocumentary' in Old Media and New |
Double-Crosses: Gender and Comedy in Some Like It Hot and Victor/Victoria |
Ecstatic Cinema: Excess and Limitation |
Establishment and Ambiguity of Space in Animation |
Exile and Displacement in the Late Cinema of Bernardo Bertolucci |
Exoticism and Nostalgia in Cinema: Out of Africa (1985) and Nowhere in Africa (2001) |
Experienced and inherited exile: representations of identity in Mitko Panov's The War is Over and Fatih Akin's The Edge of Heaven |
Fabricated Albums: Family Representations in the Works of Wes Anderson |
Film Adaptations of Andrei Platonov's Prose: Visualizing Matter |
From Bazin to Bumming in Beijing: China's New Documentary Movement in its International and Chinese Contexts |
Immediacy and Hypermediation: A Basis for a New Approach to Intermedial Reference in Film |
Jetztzeit/Zeitgeist: The Virtue of Forgetting in Film and Video |
La Marche cinématographique |
Lynch's Gloss: Film-Making and the Art of Advertisement |
Making the Real City Reel: Towards a Phenomenology of City Symphonies |
Mass Killing as Mass Entertainment: Fictionalised Cinematic Portrayals of the Rwandan Genocide |
Neorealism, Neoverism: Music in Italian Neorealist Films |
On Import Export: Reading Ulrich Seidl's film through Jean-Luc Nancy |
Painting With Light: Articulations of Space Through Luminous Media in the Work of László Moholy-Nagy |
Pixar's Approach to Technological Innovation and Creativity |
Preserving Paradise: Sustaining the Commerce and Culture of MMORPGs |
Remediating the Feminine: Feminist Consciousness and New Media |
Satire on Page and Screen: A Study of Kubrick |
Sensations and Sensationalism in the early cinema of Fritz Lang, 1919-1922 |
Silent Sangre: Severing Blood Ties and Shattering Family Structures in New Argentine Cinema |
The (Un)heimlich Topography of Lynchland |
The Conservative Grotesque: Confronting the Abject in the Cinema of Pasolini and Greenaway |
The Politics of Representation in early Senegalese Film Adaptation: A Case Study of Ousmane Sembene's Mandabi and Xala |