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Faculty of Modern and Medieval Languages


Dr Abigail Brundin

Photo of Abigail Bundin
Reader in Early Modern Literature and Culture
Co-Chair of the Faculty of Modern and Medieval Languages
Faculty of Modern & Medieval Languages
Contact details: 
Telephone number: 
(+44) (0)1223 338305

St Catharine's College 
Trumpington Street 


Abigail Brundin has been a lecturer in the Department of Italian since 2002, and a Fellow of St Catharine’s College since 2000.

Dr Brundin was one of the three Principal Investigators of the groundbreaking interdisciplinary project Domestic Devotions: The Place of Piety in the Italian Renaissance Home, 1400-1600Information on the exhibition at the Fitwilliam Museum arising from this project can be found here.


Teaching interests: 

Dr Brundin teaches across a range of papers for the Department of Italian, in all years of the degree course. Her teaching is interdisciplinary, involving the study of literature, visual arts, history, political theory and religion.

She offers a course on Italian Women Writers for the Faculty’s MPhil, as well as contributing to both interdisciplinary renaissance modules.

Dr Brundin supervises doctoral research on many aspects of renaissance and early modern culture. Prospective doctoral students are encouraged to get in touch by email with a provisional research proposal.

Research interests: 

Abigail Brundin specialises in the literature and culture of Italy in the renaissance and early modern periods. She has published on women writers in the first age of print, on literature and religious reform, including censorship and the first Indexes of Prohibited Books, and on poetry in and around convents. Recent projects include a collaboration with the National Trust to examine Italian books in English great house libraries (see, and a collaborative investigation into the forms and function of religious devotion in the home (see

Published works: 


Journal Articles

  • With Dunstan Roberts, 'Book Buying and the Grand Tour: the Italian books at Belton House in Lincolnshire'The Library, 16 (2015), 61-79
  • 'On the Convent Threshold: Poetry for New Nuns in Early Modern Italy', Renaissance Quarterly, 65 (2012), 1125-64
  • 'Vittoria Colonna and the Poetry of Reform', Italian Studies 57 (2002), pp.61-74
  • 'Vittoria Colonna and the Virgin Mary', Modern Language Review, 96 (2001), pp.61-81
  • 'Hearing the Other Voice in Early Modern Italy', Bulletin of the Society for Renaissance Studies, 20 (2002), 7-12

Book Chapters

  • 'La lettura domestica della Bibbia nell'Italia rinascimentale', in Gli italiani e la Bibbia nella prima età moderna: Leggere, interpretare, riscrivere, ed. Erminia Ardissino and Elise Boillet (Turnhout: Brepols, 2017), in press
  • 'Domestic Bible Reading in Renaissance Italy', in Pregare in casa: oggetti e documenti della pratica religiosa tra Medioevo e Rinascimento, ed. Cristina Guarnieri and Zuleika Murat (Rome: Viella, 2017), in press
  • Multiple entries on books and manuscripts in Madonnas and Miracles: The Holy Home in Renaissance Italy, ed. Maya Corry, Deborah Howard, Mary Laven (London: Philip Wilson, 2017), pp.56-7; 91; 98-103; 172-4
  • 'Poesia come devozione: leggere le rime di Vittoria Colonna', in Al crocevia della storia: poesia, religione e politica in Vittoria Colonna, ed. Maria Serena Sapegno (Rome: Vielli, 2016), pp.161-75
  • 'Vittoria Colonna in Manuscript', in Companion to Vittoria Colonna (cit.), pp.39-68
  • ‘A nun at her private devotions’, in Emprynted in thys manere: early printed treasures from Cambridge University Library, ed. Ed Potten and Emily Dourish (Cambridge University Library, 2014), pp.54-7
  • 'Vittoria Colonna', in Oxford Bibliographies in Renaissance and Reformation, ed. Margaret King (New York: Oxford University Press, 2013)
  • 'Composition "a due": Lyric Poetry and Scribal Practice in Sixteenth-Century Italy', in Renaissance Studies in Honor of Joseph Connors, ed. by Machtelt Israels and Louis Waldman, 2 vols (Florence: Olschki, 2013), pp.496-504
  • 'Re-Writing Trent, or What Happened to Italian Literature in the Wake of the First Indexes of Prohibited Books?', in Reforming Reformation, ed. Thomas F. Mayer (Aldershot: Ashgate, 2012), pp.197-218
  • 'Literary production in the Florentine Academy under the first Medici Dukes: Reform, Censorship, Conformity?', in Forms of Faith in Sixteenth-Century Italy, ed. Abigail Brundin and Matthew Treherne (Aldershot: Ashgate, 2009), pp. 57-76
  • '"Presto fia 'l mio potere in farvi onore": Renaissance Women Poets and the Importance of Praise', in Caro Vitto: Essays in Memory of Vittore Branca, edited by Jill Kraye and A. L. Lepschy in collaboration with Nicola Jones, Special Supplement of The Italianist 27.2 (2007), pp.133-49
  • 'Petrarch and the Italian Reformation', in Petrarch in Britain: Interpreters, Imitators and Translators over 700 years, edited by Peter Hainsworth, Martin McLaughlin and Letizia Panizza (British Academy, 2007) pp.131-48
  • Vittoria Colonna, Sonnets for Michelangelo, in Teaching Other Voices: Women and Religion in Early Modern Europe ed. by Margaret L. King and Albert Rabil Jr. (Chicago University Press, 2007,) pp.86-97
  • 'Vittoria Colonna', in Encyclopaedia of Women in the Renaissance: Italy, France and England, ed. Diana Robin, Anne Larson and Carole Levin (Santa Barbara: ABC-CLIO, 2007), pp.87-91