Digital Critical Edition of Middle-Period Works by Arthur Schnitzler
Latest Project News and Events
28-29 October 2016
Priest Bernhardi scene (Act I) at Barts Pathology Museum, London
Schnitzler’s hard-edged comedy Professor Bernhardi (1912) will be staged in the Anatomy Lecture Theatre in Cambridge. The play tells the story of a Jewish doctor who prevents a Catholic priest giving the last rites to a patient who is unaware that she is dying. A new adaptation takes a wry look at the ethical choices that have to be made in hospitals and are as relevant now as they were in Schnitzler’s time. It explores anatomical teaching spaces through a choreography focusing on the movement of doctors. A pre-show talk by literary scholar Annja Neumann and clinical anatomist Cecilia Brassett will introduce the venue and the play.
The production is a collaboration between academics from the Schnitzler Digital Edition Project and the London-based theatre company [Foreign Affairs]. Performances in Cambridge are co-organised by the Department of Physiology, Neuroscience and Development.
Further details and how to book tickets will be announced soon on the Festival of Ideas website.
Anatomy Lecture Theatre at the Department of Physiology, Neuroscience and Development, Cambridge (c) Adrian Newman
A transcription initiative: 19.10-16.11.2015
Explore Arthur Schnitzler’s literary texts online by transcribing his unpublished drafts and sketches. The ‘Transcribing Schnitzler ‘sprint’ aims to 'source' a public crowd, across different generations, which can transcribe a set of Schnitzler’s papers in four weeks. The initiative will start on 19.10.15. Anybody who is interested in deciphering difficult handwriting or Schnitzler’s literary texts can join the conversation. Register here. German language skills are needed to explore the website and Schnitzler’s creative workshop. A selection of the most successful transcriptions will be published on the website after the sprint finished.
‘Transcribing Schnitzler’ is a participatory project organized by the British team of the Schnitzler Digital Critical Edition Project centered around the universities of Cambridge, Bristol and University College London. The UK team is editing texts by Arthur Schnitzler from the period between 1904 and 1913. Unpublished sketches and drafts from Schnitzler’s dramatic texts Professor Bernhardi, Das weite Land and Die Gleitenden will be accessible online for four weeks.
A cross-disciplinary Symposium at Barts Pathology Museum, London, 25-26 September 2015
A podcast and digital archive of last month’s symposium on ‘“Dying Well”: Enacting Medical Ethics’ is available now online. The event brought together scholars and professionals from eight different disciplines including Science Journalism (Susan Watts), Health Care Law (Jonathan Montgomery), Literary Studies (Julia Boll) and Medicine (Samir Guglani). Arthur Schnitzler’s medical play Professor Bernhardi created a versatile space for cross-disciplinary dialogue and public engagement. Listen to a a consultant oncologist quoting T.S. Elliot and Edgar Allan Poe and a professor of law examining conscience and professional identity by walking through the five rooms of Schnitzler’s Professor Bernhardi: http://backdoorbroadcasting.net/2015/09/dying-well-enacting-medical-ethics/
The Schnitzler Digital Edition Project is pleased to announce a new translation and adaptation of Arthur Schnitzler’s Professor Bernhardi in collaboration with the London-based theatre company [Foreign Affairs]. Performances of Schnitzler’s hard-edged medical comedy took place at Barts Pathology Museum, London, from 23 to 25 September 2015. The Production was accompanied by the symposium ‘“Dying Well”: Enacting Medical Ethics’.Further details are available on the [Foreign Affairs] website.
The cross-disciplinary symposium '"Dying Well": Enacting Medical Ethics' took place on 26 September 2015 at Barts Pathology Museum, West Smithfield, London. The symposium was open to the public and included a performance of Arthur Schnitzler's Professor Bernhardi by [Foreign Affairs] theatre company on 25 September 2015. Programme and further details are available on the symposium website.
The Schnitzler project, funded by the Arts and Humanities Research Council, will run from January 2014 for five years, with Professor Andrew Webber (Cambridge) as Principal Investigator, Dr Judith Beniston (UCL) and Professor Robert Vilain (Bristol) as Co-Investigators, Grant Young (Cambridge University Library) as Digital Specialist and Dr Annja Neumann (Cambridge) as Research Associate. The team will also include two PhD students, one based at Bristol and one at UCL. The project will have the guidance of a distinguished Advisory Board: Prof. Hans Walter Gabler (Munich), Prof. Martin Swales FBA and Prof. W. E. Yates FBA
Schnitzler's papers were saved from likely confiscation and destruction in Vienna in 1938 and brought to Cambridge, where the larger part of them is now held in the University Library. The archive includes earlier versions of many published works, and the aim is to make this rich and fascinating resource available to a wide range of users. The team will prepare editions of a set of canonical works from the middle period of Schnitzler’s career (Der Weg ins Freie, Professor Bernhardi, Das weite Land) and a group of shorter works around the theme of puppetry (the Marionetten-Zyklus, Die Verwandlung des Pierrot and Der Schleier der Pierrette). Alongside open access to the edited works, provided through a digital portal, the findings of the project will be presented through international conferences and workshops, theatre productions and other events, and publications in book and journal form. Filmmaker and visual culture scholar, Dr Frederick Baker, is also developing a set of digital 'story spheres' for the portal, focused upon Schnitzler locations.
The project is being undertaken in collaboration with colleagues at the Bergische Universität, Wuppertal, where digital critical editions of Schnitzler’s works from the period after 1914 are being prepared (project directors: Prof. Wolfgang Lukas and Prof. Michael Scheffel). The editorial work from the two projects will be united through the digital portal, hosted by Cambridge University Library, and a joint project website is currently under construction. Colleagues in Vienna are also producing critical editions of key works from the earlier part of Schnitzler’s career, with several volumes already published (project director: Prof. Konstanze Fliedl).
* From the draft version of Das weite Land, where the educational career of the Hofreiters’ son is mapped out.
Further details, please see website: http://www.arthur-schnitzler.org